Nip/Tuck, however, remains his most influential and important show you can see traces of it and its success in all of his subsequent works, of which there are many. It’s the obvious candidate for unlocking Murphy’s ascendance to household name. After six seasons and 121 episodes, Glee left behind a legacy of impressive onscreen musical numbers featuring show tunes and chart hits, and a distracting offscreen history filled with scandals and tragedies among its young actors, both of which fueled the show’s fandom of “Gleeks,” who made it one of the most-tweeted-about TV shows in history. Its out-of-the-gate success on Fox landed it on several critics’ best of 2009 lists, and earned it the highest finale rating for a new show in the 2009–10 season. Glee, a show about a fictional high-school glee club from the Midwest, would go on to become Murphy’s most popular work and arguably the turning point in his career. Other than Popular (1999–2001), a WB teen dramedy that both satirized and stacked up with the likes of its network contemporary Dawson’s Creek, Murphy’s sole television credit was for an unsold pilot starring Delta Burke and Heather Matarazzo called St. In 2010, however, Murphy was only on the cusp of his television takeover. That overlap was a first for Murphy, but also a sign of what was to come for the now-prolific showrunner, christened by The New Yorker in 2018 as “ the most powerful man in TV” and “ king of the streaming boom” by Time in 2019. When it ended 100 episodes later in March of 2010, Murphy’s Glee was already well into its initial season. Take Action: Tell the FX Network what you think about this episode of Nip/Tuck.It’s difficult to recall a time when Ryan Murphy didn’t have a year-round presence on television, but that was the case in the early aughts when Nip/Tuck debuted on FX in July of 2003. If the writers of Nip/Tuck were trying for insightful commentary, they missed the mark, achieving only shock and horror. A dangerous message was sent - that women must do something horrible and extreme to themselves to get men (and/or the medical establishment) to listen to them. The doctors initially did not take the woman’s concerns seriously, but once she had maimed herself they proceeded to perform a full mastectomy on her without hesitation. The possibility that the character might be mentally ill was implicit, but was not addressed. The show took the very serious, topical matter of at-risk women having pre-emptive surgery in an effort to avoid developing breast cancer and turned it into a gory spectacle. ![]() ![]() Nip/Tuck’s effort to tackle the issue of breast cancer this season was completely undercut by this exploitative episode. It played into our society’s fascination with violence against women (although they cynically made this woman inflict violence upon herself), while promoting the stereotype of the out-of-control, emotional, irrational woman. ![]() NOW’s Analysis: The scene itself was unconscionable. When they refuse to do so, she cuts off one of her breasts with an electric carving knife in a waiting room full of patients. ![]() The Offense: On this fictional show, a woman fearful of developing breast cancer because she has lost multiple family members to the disease, asks the main characters, who are plastic surgeons, to perform pre-emptive surgery and remove her breasts. Media Outlet: FX cable network, first aired 1/27/09 Offender: Producers and writers of Nip/Tuck, “Roxy St.
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